Ray & Liz

V'18

Ray & Liz

Richard Billingham
GB, 2018
Features, 107min, 0meU

© Viennale © Viennale © Viennale

Ray & Liz

Richard Billingham
GB, 2018
Features, 107min, 0meU

Mit: 
Michelle Bonnard
Zeinab
Ella Smith
Liz
Justin Salinger
Ray
Tony Way
Lol
Sam Gittins
Will
Andrew Jefferson-Tierney
Mr. Hale
Drehbuch: 
Richard Billingham
Ton: 
Joakim Sundström
Kamera: 
Daniel Landin
Schnitt: 
Tracy Granger

Produktion: 
Primitive Film
Weltvertrieb: 
Luxbox
Format: 
DCP
Farbe

Der Film ist der Versuch des britischen Künstlers Richard Billingham, den Kampf mit den Dämonen der eigenen Vergangenheit aufzunehmen: Er zeigt den Verfall seiner dystopischen Familie, in der die übergewichtige Mutter Liz meist kettenrauchend vor einem 1000-Teile-Puzzle sitzt, während Vater Ray sich sukzessive zum Alkoholiker entwickelt, als quälend langes Purgatorium in einer Sozialwohnung. Der Regisseur schafft mit dem Auge des geschulten Fotografen eine eigene visuelle Grammatik aus extremen Close-ups und einer neugierig flanierenden Kamera und macht den „Highway to Hell“ auf diese Weise zu einem faszinierenden Karneval der Farben und Formen. (Thomas Mießgang)

In Anwesenheit von Richard Billingham.
Kurzfristige Änderung der Sprachfassung in OmeU.

 

In the beginning it was real life. Little Richard surviving through years and years of living with his desperate parents in a dilapidated Birmingham apartment, simple and desolate creatures going nowhere in the middle of Thatcher’s England. Richard took pictures of his alcoholic father and intense mother and became an internationally renowned artist. This long-gestating film takes from that hyperreal aesthetic and puts those images into motion. Divided into three chapters – different episodes in the life of Ray, Liz, their sons, uncles and neighbors –, Billingham reintroduces these characters: the old father who only get out of bed to drink some kind of dark alcoholic poison; the half-brother and uncle who put Richard’s little brother’s life in danger with more alcohol; and the same kid, years later, escaping through the neighborhood, unattended and unaccounted for. Billingham’s gaze is unflinching, direct, brutally honest, but there’s no judgement or distance. Even when he’s not the main character in any of these stories, you can see his eyes wandering through the debris of a city, of a house, witnessing the life of a family devastated by the loss of work,of dignity, of self-worth. (Diego Lerer)

In the presence of Richard Billingham.
Last minute change into OmeU.