Sutjeska

V'19

Sutjeska

Battle Of Sutjeska

Stipe Delić
YU, 1973
130min, eF

Bild: Filmski centar Sarajevo Bild: Filmski centar Sarajevo

Sutjeska

Stipe Delić
YU, 1973
, 130min, eF

Mit: 
Richard Burton
Ljuba Tadić
Velimir (Bata) Živojinović
Milena Dravić
Boris Dvornik
Irene Papas
Bert Sotlar
Rade Marković
Ljubiša Samardžić
Drehbuch: 
Branimir Ščepanović
Kamera: 
Tomislav Pinter
Schnitt: 
Vuksan Lukovac
Musik: 
Mikis Theodorakis

Produktion: 
Filmska radna zajednica Sutjeska, Sarajevo
Bosna film, Sarajevo
Zeta film, Budva
Format: 
35 mm
Farbe
Print courtesy of Kansallinen audiovisuaalinen instituutti

Eine halb verhungerte, zahlenmäßig natürlich weit unterlegene, von Marschall Tito höchstpersönlich angeführte Partisanentruppe versucht, in den Bergen von Bosnien und Herzegowina einer Belagerung zu entkommen. Was SUTJESKA von KOZARA und BITKA NA NERETVI – den anderen beiden offiziellen jugoslawischen Partisanen-Großproduktionen – unterscheidet, ist seine erstickende Atmosphäre der Finsternis und des Untergangs. Neben Tomislav Pinters Kameraarbeit und Mikis Theodorakis’ Score bleibt vor allem der Auftritt von Richard Burton als Tito in Erinnerung. Burton soll die Müdigkeit des Marschalls nachgeahmt haben, indem er ihn einfach betrunken spielte. Die Ergebnisse sind beeindruckend.

 

Following KOZARA (1962) and BITKA NA NERETVI (1969), SUTJESKA was the last of the three Yugoslavian official (i.e. state-commissioned & strictly supervised) partisan super-productions, and despite the fact that it never quite reached the popularity (or notoriety) of the first ones, it remains – in genre terms – by far the leanest and meanest example of a spectacular partisan narrative. The plot is a by-the-numbers rehash of the previous two epics. Once again, there is a group of vastly outnumbered, outgunned, and starved partisans, again led directly by Marshal Tito. Again, they are hiding across the mountainous wilds of occupied Bosnia and Herzegovina, attempting to break out of the Axis siege. Again, they do not win, but instead suffer incredible losses running into the thousands, while managing to preserve their headquarters and finally escape. What separates SUTJESKA from the previous two films is the prevailing, suffocating atmosphere of gloom and doom. While the surviving partisans in KOZARA and BITKA NA NEREVI merrily march into future victories while singing at the end of each film, they silently drag their feet into an uncertain future here, devastated by their losses. Also of note is the brilliant widescreen cinematography by the finest Yugoslavian cinematographer Tomislav Pinter, the ominous score by Mikis Theodorakis, and the memorable appearance of Richard Burton as Tito.