Valter brani Sarajevo

V'19

Valter brani Sarajevo

Valter Defends Sarajevo

Hajrudin Krvavac
YU, 1972
133min, skrOmeU

Bild: Filmski centar Sarajevo

Valter brani Sarajevo

Hajrudin Krvavac
YU, 1972
, 133min, skrOmeU

Mit: 
Velimir (Bata) Živojinović
Ljubiša Samardžić
Rade Marković
Hanjo Hasse
Slobodan Dimitrijević
Dragomir Bojanić
Pavle Vuisić
Neda Spasojević
Faruk Begolli
Drehbuch: 
Đorđe Lebović
Kamera: 
Miroljub Dikosavljević
Schnitt: 
Jelena Bjenjaš
Vojislav Vanja Bjenjaš
Musik: 
Bojan Adamič

Produktion: 
Bosna film, Sarajevo
Format: 
35 mm
Farbe
Print courtesy of Filmski centar Sarajevo

Offiziell dem 30. Jahrestag der Revolution und dem Heroismus der Bevölkerung von Sarajewo gewidmet, erlangte VALTER BRANI SARAJEVO anlässlich der Belagerung der Stadt während des Jugoslawienkriegs in den Neunzigerjahren neue Symbolkraft. Wiederholt und ebenso vergeblich versuchen darin die deutschen Besatzer, den mysteriösen Valter, Anführer des lokalen Widerstands, zu fangen. Als sie sich schließlich zurückziehen, tun sie dies in der berühmtesten Szene der jugoslawischen Filmgeschichte: Auf einem Hügel über Sarajewo zeigt ein deutscher Kommandant auf die multikulturelle Stadt und verkündet: „Sehen Sie diese Stadt? Das ist Walter!“

 

Several partisan pictures, and not just the epic spectacles, are still fondly engraved into the collective consciousness of former Yugoslavians, but none shines so brightly – and evokes such (Yugo)nostalgia – as Hajrudin Krvavac’s immortal VALTER BRANI SARAJEVO. Officially dedicated to the thirtieth anniversary of the Revolution and the heroism of the people of Sarajevo during World War II, VALTER BRANI SARAJEVO gained a massive new following as an inspiration for the city under siege in the 1990s. For such a popular film, the plot of VALTER BRANI SARAJEVO is exceptionally (and brilliantly) convoluted, filled with myriad characters, mistaken identities, incredible betrayals, and impossible escapes, all delivered with a gusto of the kind only Krvavac mastered at the time. We follow an endless series of failed attempts by German occupying forces in Sarajevo to identify and capture the mysterious Valter, leader of the local resistance (Valter was also one of Tito’s noms de guerre). When the defeated Germans finally retreat from Sarajevo, they do so in the most iconic scene in the history of Yugoslavian cinema. Standing on a hill above Sarajevo (the same hill, in a cruel twist of fate, from which Sarajevo would be bombarded only two decades later), a German commander points at the multicultural city below and proclaims: “Sehen Sie diese Stadt? Das ist Walter!”