Quando dal cielo

Wie ein Tonträger produziert wird, hatte schon Jean-Luc Godard in ONE PLUS ONE interessiert, wobei er es 1968 mit den fidelen Rockern von den Rolling Stones wohl leichter hatte. Ferraro hingegen filmt in einem karg beleuchteten, leeren Konzertsaal, in dem Trompeter Paolo Fresu und Bandoneonist Daniele di Bonaventura ihre ätherische Musik erklingen lassen. Ohne den Beteiligten zu sehr auf den Pelz zu rücken, lässt QUANDO DAL CIELO uns an der Interaktion zwischen Produzent Manfred Eicher, seinem Toningenieur und den beiden Musikern teilhaben, und solcherart auch am kreativen Prozess: Wir sehen die Musik, indem wir den Bildern zuhören. (Ferdinand Keller)

In Anwesenheit von Fabrizio Ferraro, Fabio Parente (Produzent) und Luis Miñarro.

In QUANDO DAL CIELO, Italian filmmaker Fabrizio Ferraro rises to the challenge of filming music, or rather filming musicians in the midst of the creative act to reinforce the idea that the dimension of listening is active. 
The film presents two recognized jazz musicians, trumpet player Paolo Frescu and bandoneonist Daniele Di Bonaventura, while recording the album In Maggiore with legendary ECM producer Manfred Eicher. The encounter between the duo and Fabrizio Ferraro developed over three years, as he first filmed the musicians separately in their places of origin, in the intimacy of their homes where creative processes originate, and later on their travels and at their concerts, where their musical ideas begin to take shape.
Mainly set in a deserted auditorium before ghostly empty seats, we witness the artistry and skill developed across days of rehearsals. Work in which research on sound, harnessing the instruments, and the collaborative construction of the musical structure become expressions capable of bringing the viewer to the heart of the creative process for an audience to come. (Gustavo Beck)

In the presence of Fabrizio Ferraro, Fabio Parente (producer) and Luis Miñarro.