Psycho (Viennale-Trailer 1997)

Martin Arnold adopts a fragment from the shower scene of PSYCHO, rendering and composing it anew. The result is a short yet intense piece of contemporary aesthetics. Devoted mainly to density and omission, it visualizes the cinematic narrative on all its levels as a cinematographic and aesthetic mise-en-scène. Simultaneously, it reveals that a resolving adaptation of traditional cinematic forms can also create suspense, excitement and pleasure.

With 78/52