Mammame

In MAMMAME, Ruiz translates Claude Galotta's choreography into an actionless sequence of encounters and interactions, of human dramas of desire, acceptance and rejection. The dancers also manifest themselves vocally, whispering, babbling, murmuring, moaning, screaming in a soundtrack consistently separated from the image. This is accompanied by a mix of classical music and 80s electro-pop, which further underscores the sheer physicality of the performance. After 45 minutes, the dungeon-like stage space opens onto a surging sea. Sea spray and birds surround the dancers - is there such a thing as love in the face of nature after all? (Maria Marchetta)

All retrospective films that will be shown at the Filmmuseum after the Viennale - from 1.11. - can of course also be reserved as usual at filmmuseum.at or by calling 01/533 70 54 and purchased at the box office of the Austrian Film Museum. The prices of the Austrian Film Museum apply.

Raúl Ruiz: TRES TRISTES TIGRES (1968), EL REALISMO SOCIALISTA (1973), DIALOGUES OF EXILES (1975), BÉRÉNICE (1983), POINT DE FUITE (1984), MÉMOIRE DES APPARENCES (1986), L’OEIL QUI MENT (1992), FADO MAJEUR ET MINEUR (1994), TROIS VIES ET UNE SEULE MORT (1996), GÉNÉALOGIES D’UN CRIME (1997), COMÉDIE DE L’INNOCENCE (2000), KLIMT (2006), MISTÉRIOS DE LISBOA (2010)