Alle dagen even mooi

For over a hundred years, postcards were a tangible way of expressing affection, conveying trivial news and staying in touch. Artists have long recognised their potential to experiment and subvert. As an avid collector, Digna Sinke unsurprisingly kept the postcards she received—and those of others—since her childhood. In ALLE DAGEN EVEN MOOI, this collection forms the raw material for a kaleidoscope tracking a hundred years of change. Unassuming, yet deeply personal and moving, the result is full of care: each card, each sentence evokes love and loss in equal measure. (Gerwin Tamsma)

In the presence of Digna Sinke and Gerwin Tamsma (Curator).
With NIETS IS VOOR DE EEUWIGHEID and AFSCHEID.

Digna Sinke (selection): GROETEN UIT ZONNEMAIRE (1972), DE STILLE OCEAAN (1984), BELLE VAN ZUYLEN (1993), Tiengemeten Project (2001–2006), WEEMOED EN WILDERNIS (2010), AFTER THE TONE (2014), UNDER THE SURFACE (2016), BEWAREN / KEEPING & SAVING (2018), ZOET & ZOUT (2019), GRENZEN (2020), HEMELSLEUTEL (2024)