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Se eu fosse vivo... vivia

If I Were Alive

André Novais Oliveira
Brasilien 2026
101 min
OmeU
Filmstill of Se eu fosse vivo... vivia
© Janine Moraes/Filmes de Plástico LTDA
Filmstill of Se eu fosse vivo... vivia
© Janine Moraes/Filmes de Plástico LTDA
Filmstill of Se eu fosse vivo... vivia
© Leonor Teles/Filmes de Plástico LTDA

Eine Liebesgeschichte, die ein halbes Jahrhundert heiter überdauert und dem Raum-Zeit-Kontinuum ein Schnippchen schlägt. Gilberto und Jacira lernen einander in den 1970ern kennen, als sie imposante Afros tragen und Brasilien im Disco-Rausch taumelt. Aber was hat es mit den Glühwürmchen auf sich, die ihnen nachts wie eine Botschaft aus dem All erscheinen? 50 Jahre später begegnen wir ihnen als einem rundlichen, zärtlichen Paar wieder, das bei Arztbesuchen flunkert, aber sich der traurigen Diagnose stellen muss. Das Leben gerät aus dem Tritt – bis der Film sich in eine verschmitzte Variation auf CLOSE ENCOUNTERS verwandelt. (Gerhard Midding)

Contagem, 1970s. The saturated 16mm colours and the Brazilian soul ballads on the soundtrack conjure up a romantic idyll, although otherworldly presences lurk. Gilberto and Jacira are young, (more or less) gifted, and Black. Fifty years later, they are a retired couple confronted by their declining health. Yet their everyday bickering remains a testament to the enduring vitality of their affection. When Jacira returns from the hospital, their whole universe begins to malfunction. In André Novais Oliveira’s filmography, the most ordinary of conversations have always inhabited the same planet as alien abductions. But when this lifelong partnership begins to fracture, a wormhole seems to tear through the film itself. The couple shares the frame, yet their gazes no longer meet: one looks, the other hides. The compositions grow uncanny; the music grows stranger. Gilberto has lost his way home and seemingly so has the film. SE EU FOSSE VIVO... VIVIA inhabits a galaxy far, far away from the standard orbit of contemporary cinema. This is a cinematic world of minor tones and minimal gestures. But there is always the possibility of discovering some distant constellation in the backyard or of turning some corner to encounter ancient ghosts. (Victor Guimarães)

André Novais Oliveira: UMA HOMENAGEM A ALUÍZIO NETTO (2004, K), FANTASMAS (2010, K), DOMINGO (2011, K), POUCO MAIS DE UM MÊS (2013, K), ELA VOLTA NA QUINTA (2014), QUINTAL (2015, K), TEMPORADA (2018), NOSSA MÃE ERA ATRIZ (2023, K), O DIA QUE TE CONHECI (2023), QUANDO AQUI (2024, K)

Fr. 23 Okt
12:30
Metro, Kinosalon
OmeU
iCal
Credits
  • Conceição Evaristo
  • Norberto Novais Oliveira
  • Jean Paulo Campos
  • Tainá Evaristo
  • André Novais Oliveira
  • Leonor Teles
  • Pablo Lamar
  • Gabriel Martins
  • André Novais Oliveira
  • Metá Metá
  • Diogo Hayashi
Filmes de Plástico, Canal Brasil

Filmes de Plástico

DCP
Farbe