Monrovia, Indiana

V'18

Monrovia, Indiana

Frederick Wiseman
USA, 2018
Features, 143min, OF

© Viennale © Viennale © Viennale

Monrovia, Indiana

Frederick Wiseman
USA, 2018
Features, 143min, OF

Ton: 
Frederick Wiseman
Kamera: 
John Davey
Schnitt: 
Frederick Wiseman
Produktion: 
Civic Film
Karen Konicek
Weltvertrieb: 
Doc & Film International
Format: 
DCP
Farbe

In Monrovia sieht es so aus wie in fast jeder typischen US-Kleinstadt im Mittleren Westen. Meterbreite Maschinen durchpflügen die umliegenden Äcker, Silos ragen in den Himmel, und an den die Main Street säumenden Häusern fährt man geradeaus vorbei. Nicht so Wiseman, der ausgerechnet im oft geschmähten Trump-Land Station macht. Nichts entgeht seinem so präzisen wie empathischen Blick, von der Babykrippe bis zum Friedhof, von der Kirchenfeier bis zum Supermarkt. Ohne die Politik in den Vordergrund zu rücken, ist MONROVIA, INDIANA ein politisches und dennoch zugleich überraschend gelassenes Porträt aus Flyover-Country. (Michael Pekler)

 

Since the last US presidential elections, a whole slew of documentaries got made that look at rural and small town cultures in Corn Belt and Steel Belt states: the areas that statistically made the difference in favor of Trump, the most widely-seen of those is certainly the late Anthony Bourdain’s urgent cri de cœur PARTS UNKNOWN: WEST VIRGINIA (2018, Morgan Fallon), the most formally severe and contemplative Frederick Wiseman’s MONROVIA, INDIANA. While the humanist chef went to a state that until relatively recently voted reliably Democratic, the modern day John Ford chose a true Republican bastion. Who are these people? They are decent and generous in the noblest American sense. But they cherish life’s beauty in ways different from those of East and West Coast denizens. Wiseman’s genius lies in the way he presents these values in purely cinematic terms, most importantly: how he stresses the time it takes to do certain things, like taking care for an animal’s life. Places one would expect to see including church and gun shop are accounted for – but after MONROVIA, INDIANA one will never think of them in the same blunt and self-righteous fashion that indeed we adopted vis-à-vis this world. We will be humbled. (Olaf Möller)

Frederick Wiseman: TITICUT FOLLIES (1967), HIGH SCHOOL (1968), JUVENILE COURT (1973), WELFARE (1975), MEAT (1976), MODEL (1980), ADJUSTMENT AND WORK (1986), NEAR DEATH (1989), ZOO (1993), BALLET (1995), PUBLIC HOUSING (1997), DOMESTIC VIOLENCE (2001), DOMESTIC VIOLENCE 2 (2002), THE GARDEN (2004), STATE LEGISLATURE (2006), LA DANSE – LE BALLET DE L’OPÉRA DE PARIS (2009), BOXING GYM (2010), CRAZY HORSE (2011), AT BERKELEY (2013), IN JACKSON HEIGHTS (2015), EX LIBRIS: THE NEW YORK PUBLIC LIBRARY (2017)