L. Cohen

V'18

L. Cohen

James Benning
USA, 2017
Features, 45min, kein Dialog

© Viennale

L. Cohen

James Benning
USA, 2017
Features, 45min, kein Dialog

Kamera: 
James Benning
Produktion: 
James Benning
Weltvertrieb: 
Galerie neugerriemschneider
Format: 
DCP
Farbe

45 Minuten, eine Einstellung – was scheint, als habe Benning sein reduktionistisches Prinzip ins Extrem getrieben, ist in Wahrheit vielleicht sein bewegtester und berührendster Film. Eine öde, flache Gegend, verrostete Gerätschaften, verrottende Ölfässer, weit hinten ein schneebedeckter Berg, und genug Zeit, all dies und mehr Details zu erfassen. Nach gut 20 Minuten aber kippt die Situation, ein Ereignis bricht herein über diese Landschaft und gibt sie erst nach drei, vier Minuten wieder frei. In die Stimmung aus Staunen und Melancholie fügt sich saumlos ein Song des im Jahr zuvor verstorbenen Leonhard Cohen. (Barbara Kronsfoth)

Mit O Panama
In Anwesenheit von James Benning.

 

On the left, a yellow jerrican and two tires leaning against three rusty barrels. On the right, an abandoned combine harvester in a patch of untended hay. Behind, a hillock with a line of electricity poles hides a car park, where only the tops of a few vehicles are visible. Crows are croaking in a hazy summer sky in the centre of which snowy peaks appear – a mirage perhaps. Those who know the work of James Benning will sense how many unobtrusive presences this barren Oregon landscape harbours. Those who are entering it for the first time will understand, quite naturally, that filmmaking can find its full force – as Benning tirelessly teaches and practices – simply “by looking and listening”. In truth, the initiated have no advantage over novices. All are on equal footing if they deploy the intuitive knowledge passed down by Thoreau and Bergson, where the secret organization of phenomena emerges out of a long-sustained attention in which the landscape is a function of time – geological, historical and biographical, each new film bringing into play references inherent to the entire oeuvre. It is worth knowing that the title of the film echoes the last line of a famous song used on the soundtrack of ONE WAY BOOGIE WOOGIE (1977/2005/2012): “sincerely, L. Cohen”. (Antoine Thirion)

With O Panama
In the presence of James Benning.

James Benning: DID YOU EVER HEAR THAT CRICKET SOUND? (1971), LANDSCAPE SUICIDE (1986), UTOPIA(1998), EL VALLEY CENTRO (1999), 13 LAKES (2004), TEN SKYS (2004), CASTING A GLANCE (2007), RR (2007), FIRE & RAIN (2009, V’09-Trailer), ONE WAY BOOGIE WOOGIE (2012), NATURAL HISTORY (2014), SPRING EQUINOX (2016), MEASURING CHANGE (2016), FALL EQUINOX (2016), READERS (2017)