Features

Kouté vwa

Listen to the Voices

Maxime Jean-Baptiste
Belgien, Frankreich, Französisch Guayana 2024
77 min
OmeU
KOUTÉ VWA (LISTEN TO THE VOICES) | © Viennale
KOUTÉ VWA | © Viennale
KOUTÉ VWA | © Viennale

Übersetzt lautet der Filmtitel: „Horche auf die Stimmen.“ Und genau das muss der 13-jährige Melrick hier zwingend tun. Denn über dem Ferienaufenthalt bei seiner Oma in Französisch-Guyana liegt der Schatten des gewaltsamen Todes seines Onkels Lucas elf Jahre zuvor. Wie damit umgehen? Christliche Vergebung gewähren wie die Großmutter oder Rache fordern wie Lucas‘ bester Freund Yannick? Vielleicht hilft die Liebe zur Musik, die Melrick mit dem Onkel verbindet, um einen eigenen Weg zu finden. Die authentisch wirkende Story vermischt Fiktion und Realität: Lucas war der Cousin des Regisseurs. Melrick, die Großmutter und Yannick verkörpern sich selbst. (Lars Penning) 

In Anwesenheit von Maxime Jean-Baptiste.

Mixing scripted scenes acted by the people who lived the events recounted with documentary footage, archival material and lyrical interludes, Maxime Jean-Baptiste’s profoundly moving debut feature tells the story of a family. At the same time, it paints a portrait of a place we aren’t used to seeing on the big screen. French Guiana, on the northern coast of South America, is still officially a region of France and the bulk of its population descends from enslaved Africans. The tragedy at the heart of the film—the real-life murder of eighteen-year-old Lucas Diomar in 2012—is representative of the violence that is still being passed on from generation to generation. KOUTÉ VWA, which translates as “listen to the voices”, is a title meant literally. Viewers are offered a polyphonic account of the murder and its painful repercussions, while the survivors and the people of French Guiana, above all its youth, like Lucas’s nephew Melrick, are urged to heed its appeal. It’s only by listening to one another, the film posits, that they will break the cycle of violence and come together as a community—as demonstrated by the extraordinary scenes of dozens of coordinated drummers losing themselves in ecstatic performance. (Giovanni Marchini Camia)

In the presence of Maxime Jean-Baptiste

Maxime Jean-Baptiste:  NOU VOIX (2018, K), ÉCOUTEZ LE BATTEMENT DE NOS IMAGES (2021, K), MOUNE Ô (2022, K)

V'24
Di. 22 Okt
21:00
Filmmuseum
OmeU
iCal
Do. 24 Okt
16:00
Metro, Historischer Saal
OmeU
iCal
Credits
  • Melrick Diomar
  • Nicole Diomar
  • Yannick Cébret
  • Maxime Jean-Baptiste
  • Audrey Jean-Baptiste
  • Arthur Lauters
  • Ingrid Simon
  • Liyo Gong
Twenty Nine Studio & Production, Spectre Productions, Shelter Prod, Atelier Graphoui

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