Antonionis L’ECLISSE as a room installation. The camera, mounted on a model railroad, passes through a dark landscape of screens. The images, showing Monica Vitti, all sprawling into the room and on the surfaces, undermining illusionist effects in this “cinema hall”. We catch a glimpse of a poster of Godards ADIEU AU LANGAGE. “Io vado, Riccardo”, says Vitti, then walks outside. Dedicated to Hans Hurch.
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