Features

Nun dul dega eomne

Nowhere to Lay My Eyes

Hong Sangsoo
Südkorea 2026
72 min
OmdU & OmeU
Filmstill of Nun dul dega eomne
© Viennale
Filmstill of Nun dul dega eomne
© Viennale
Filmstill of Nun dul dega eomne
© Viennale

Nach zehn Jahren Abwesenheit besucht Sanghee ihre Mutter auf der Insel Jeju. Diese hat inzwischen einen neuen Mann und eine Stieftochter, betreibt ein Restaurant und hat für Sang-hee ein zugewuchertes Stück Natur am Straßenrand gekauft. Während die Mutter die Existenz der Tochter als experimentelle Filmemacherin in Frage stellt und den erfolgreichen Bruder gegen sie ausspielt, lernt Sanghee die Orte und ihren neuen Landbesitz kennen. Falsche Komplimente und vergiftete Höflichkeiten geben mit dem Wind, der schneidend über die Insel fegt, den charakteristischen Hong-Sound ab. In Locarno mit dem Preis für die Beste Regie ausgezeichnet. (Dunja Bialas)

Winner of two deserved prizes at the Locarno Film Festival, the 35th film by Hong Sangsoo (Best Director) sees the return of his muse Kim Minhee (Best Performance) in her first role since giving birth to their child; unsurprisingly, motherhood is on Hong’s mind. It’s also no surprise that Kim is flawless as a filmmaker named Sanghee, though one might be bemused that she makes experimental shorts and uploads them to YouTube. She has ventured with her brother from Seoul to a tempestuous Jeju Island to visit their estranged mother, whose fortunes have peaked with a successful restaurant and a new husband, an observational documentary filmmaker (Hong regular Kwon Haehyo). Kwon is introduced with a delicious pratfall, and the meek men are predictably overwhelmed by the strong and opinionated women, with the mother-daughter interaction adding an extra layer of complication. Sanghee’s viewpoint is privileged, and Hong even gives her a voiceover, but it’s only a matter of time until the next shift in Hong’s filmography—Kim as mother. Of special note is Hong’s at times comical approach to sound recording, which has the effect of ramming the Jeju winds down one’s ear canals. Indeed, few contemporary filmmakers have such regard for the weather. (Mark Peranson)

Hong Sangsoo (Auswahl): VIRGIN STRIPPED BARE BY HER BACHELORS (2000), TALE OF CINEMA (2005), WOMAN ON THE BEACH (2006), NIGHT AND DAY (2008), HA HA HA (2010), IN ANOTHER COUNTRY (2012), OUR SUNHI (2013), HILL OF FREEDOM (2014), THE DAY AFTER (2017), GRASS (2018), HOTEL BY THE RIVER (2018), THE WOMAN WHO RAN (2020), INTRODUCTION (2021), IN FRONT OF YOUR FACE (2021), THE NOVELIST’S FILM (2022), WALK UP (2022), IN OUR DAY (2023), IN WATER (2023), A TRAVELLER’S NEEDS (2024), BY THE STREAM (2024), WHAT DOES THIS NATURE SAY TO YOU? (2025), THE DAY SHE RETURNS (2026)

Mo. 26 Okt
16:00
Stadtkino im Künstlerhaus
OmdU
iCal
Di. 03 Nov
18:30
Filmmuseum
OmeU
iCal
Credits
  • Kim Minhee
  • Choi Myeonggil
  • Kwon Haehyo
  • Shin Seokho
  • Park Miso
  • Hong Sangsoo
  • Hong Sangsoo
  • Hong Sangsoo
  • Hong Sangsoo
  • Hong Sangsoo
Jeonwonsa Film

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