Image of movie Heojil kyolshim
Image of movie Heojil kyolshim
Image of movie Heojil kyolshim
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Heojil kyolshim

Decision To Leave
Park Chan-wook
Südkorea 2022
139 min
V'22

Zwei Polizisten am Schießstand, Kommentare über den jüngsten Mordfall. Es ist viel los auf dem Revier. Der Hauptkommissar im Auto, Heimweg. Er kocht für seine Frau. Er leidet an entsetzlicher Schlaflosigkeit. Peng. Eine Leiche am Fuße eines Felsens. Kletterunfall? Mord? Die wunderschöne Frau des Toten: trauernde Witwe? Todesengel? Von der ersten Sekunde an herrscht zwischen Kommissar und Witwe eine schicksalsgeladene Anziehung. Und es ist diese Anziehung viel mehr noch als die Frage, wer hier was getan hat, die den Plot und mit ihm die Bilder des Films immer rasantere Kapriolen schlagen lässt. Wir atemlos in unseren Sesseln. Spellbound. (Katja Wiederspahn)

Park Chan-wook’s outstanding thriller shows the Korean maverick at the triumphant top of his game, bringing a delightful swing to his latest twisty tale. Detective Hae-joon (Park Hae-il, game for anything) plays an almost parodically workaholic detective who is called upon to investigate the death of a man who fell or was pushed off a mountain. He questions the man’s widow Seo-rae (a mesmerizing Tang Wei) and develops a helpless crush on her (despite his comically stable marriage), as well as some suspicions about her backstory as an outsider to the country. As the case develops, Park demonstrates his mastery of action and suspense anew, finding fresh ways to film the story’s unpredictable beats (with dazzling work by both cinematographer Kim Ji-yong and screenwriter Cheung Seokyung).
But what fuels the film is not plot mechanics but the positively Hitchcockian charm in the simmering connection between the upstanding detective and his savvy subject, as Park nails the chemistry of attraction and pursuit with sly humor. It’s easily some of Park’s own best work (and in its own, crafty way as alluring as THE HANDMAIDEN was), bringing new life to a milieu you might think you know. (Nicolas Rapold)

Park Chan-wook: THE MOON IS... THE SUN’S DREAM (1992), JOINT SECURITY AREA (2000), SYMPATHY FOR MR. VENGEANCE (2002), OLDBOY (2003), THREE... EXTREMES (2004, EPISODE), LADY VENGEANCE (2005), I’M A CYBORG, BUT THAT’S OK (2006), THIRST (2009), STOKER (2013), THE HANDMAIDEN (2016), THE LITTLE DRUMMER GIRL (2018, TV-Miniserie), LIFE IS BUT A DREAM (2022, K)

Credits
  • Park Hae-Il
  • Tang Wei
  • Park Chan-Wook
  • Chung Seo-Kyung
  • Kim Ji-Yong
  • Kim Suk-Won
  • Kim Sang-Bum
  • Cho Young-Wuk
Moho Film

CJ Enm

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