Image of movie Gli appunti di Anna Azzori / Uno specchio che viaggia nel tempo
Image of movie Gli appunti di Anna Azzori / Uno specchio che viaggia nel tempo
Image of movie Gli appunti di Anna Azzori / Uno specchio che viaggia nel tempo
Kinematografie: KOLLEKTION DIAGONALE’20 – DIE UNVOLLENDETE

Gli appunti di Anna Azzori / Uno specchio che viaggia nel tempo

The Notes of Anna Azzori / A Mirror that Travels through Time
Constanze Ruhm
Österreich, Deutschland, Frankreich 2020
72min
OmeU

Constanze Ruhm begegnet Anna in einem Archiv, in Alberto Grifis und Massimo Sarchiellis vierstündigem Dokumentarfilm ANNA aus den 1970er Jahren. Der Frage nachgehend, wer diese ominöse Protagonistin war, münden die Reflexionen in einer feministischen Reise durch Kulturgeschichte, Raum und Zeit. Ruhm trifft die junge Frau, der Grifi und Sarchielli einst zufällig auf der Piazza Navona in Rom begegneten, überall: in Computeranimationen, bei nächtlichen Dreharbeiten, während Demonstrationen und in der Literatur. Ausgezeichnet mit dem Diagonale-Preis Innovatives Kino 2020. (diagonale)

In Anwesenheit von Constanze Ruhm.

When ANNA (1972–1975), Alberto Grifi’s and Massimo Sarchielli’s cinéma-vérité portrait of a stranded pregnant woman on Rome’s Piazza Navona, returned to screens eight years ago, the early, greasy video aesthetic amplified its sense of mystery: a work of art has become the only proof that this protagonist and real-life human being, who later disappeared, even existed. GLI APPUNTI DI ANNA AZZORI/UNO SPECCHIO CHE VIAGGIA NEL TEMPO, Constanze Ruhm’s re-reading and extension of this 1970s collaborative work of the 1970s, is carried by a related unease, which is given a strong feminist turn: Anna is no longer the limited subject of a sociopolitical exploration, but rather actively steps out of the frame and invents her own agenda. Ruhm’s film interweaves diferent approaches, one of which is called a “frequency change”: a casting process in several parts that provides Anna with a bunch of colorful contemporary alter egos and therefore turns her into a member of an utopian feminist collective. Another is directed against the persistence of Grifi’s and Sarchielli’s work itself, whereby Anna is given the opportunity to rewrite her story via small interventions, also understanding her decisions as a political stance against patriarchy. (Dominik Kamalzadeh)

In the presence of Constanze Ruhm.

Constanze Ruhm: TRAVELLING/PLAN 234/ EXTÉRIEUR NUIT (1999/2005), APARTMENT (1999), EVIDENCE (1999), A MEMORY OF THE PLAYERS IN A MIRROR AT MIDNIGHT (2001), X CHARACTERS / RE(HERS)AL (2003/04), X NANA / SUBROUTINE (2004), X LOVE SCENES / PEARLS WITHOUT A STRING (2007), CRASH SITE / MY_NEVER_ENDING_BURIAL_ PLOT (2009), KALTE PROBE (2013, Ko- Regie), PANORAMIS PARAMOUNT PARANORMAL. THREE TIMES A FILM (2017)

Credits
  • Gemma Vannuzzi
  • Mona Abdel Baky
  • Kheda Durtaeva
  • Ljubica Jaksic
  • Hannah Morscher
  • Cordula Rieger
  • Sidi Robol
  • Kadisa Seitinger
  • Alex Smith
  • Stefano Mancini
  • Elisabeth Hrusa
  • Alisha Svestka
  • Livia Szankowsky
  • Law Wallner
  • Lia Wilfing
  • Constanze Ruhm
  • Hannes Böck
  • Sebastian Meyer
  • Theda Schifferdecker
  • Anna Spanlang
  • Hannes Böck
  • Constanze Ruhm
  • Hannes Böck
  • Jessyca R. Hauser
Constanze Ruhm

sixpackfilm

sixpackfilm
DCP
Farbe/SW
Mi. 28 Okt
21:15
Metro, Historischer Saal
OmeU
Fr. 30 Okt
18:00
Le Studio
OmeU
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