T.O.U.C.H.I.N.G

I’d like to give up imitation and illusion and i’d like to enter the higher drama of celluloid, two-dimensional film stripes, individual images, nature of perforation and emulsion, projector operations. Light as energy creates its own objects, shadows and textures. If you take the facts of the retina, the flicker mechanism of film projection than you can make films without logic of language. (Paul Sharits)

In the presence of Christopher and Cheri Sharits. 

With PAUL SHARITS