MA DERNIèRE INTERVIEW AVEC ERIC ROHMER

When she was working as cutter for films like <filmlink id=\"3518\">La Carrière de Suzanne </filmlink>, <filmlink id=\"3520\">La Collectionneuse</filmlink> and <filmlink id=\"3519\">La Boulangère de Monceau </filmlink>, Jackie Raynal was most fascinated by how Rohmer handled sound. Unusual in times of digital access to every sound bit, the director insisted on using the original sound from exact the same place and time where the scene has been shot. So every bird, every gust of wind and every tree got it’s specific sound.

This film is part of the program <filmlink id=\"3492\">Frühe Meisterstücke und letzte Grüße</filmlink>.