Es war ein Tag wie jeder andere im Frühling oder Sommer.

The three episodes from the 1992 War in Bosnia, linked by Selma Doborac, are a matter of the past. Nevertheless, they continue to be alive in the form of text lines, i.e. memories crossing the picture, while the camera looks out of the window of a car. While the text delves deeper and deeper into experiences of the past, the pictures seem to remain at the same spot even though they are constantly in motion.

In the presence of Selma Doborac.