Art Theatre Guild
BARA NO SôRETSU
Begräbniszug Der Rosen
Matsumoto Toshio
Japan 1969
107 min
From Pasolini to Jean Genet, Sophocles «Oedipus» to Freuds theory of the negative Oedipus, kimonoed drag queens to club-toting student radicals: Such dizzying, rather dissimilar coordinates provided Matsumoto with the building blocks for his parodic, aesthetically disturbing deconstruction of both national growth and conventional, oppositional politics found in his 1969 <i>Bara no sôretsu</i>. Its title is a reference to «Pompes funèbres»
V'03
Credits
- Peter - Eddie
- Shiro Yoshimi - Jimmy
- Furamenko Umeji - Gureko
- Manji Tarô - Nora
- Shibayama Mikirô - Philosoph
- Tsuchiya Yoshio - Gonda
- Ogasawara Osamu - Leda
- Azuma Emiko - Mutter
- Nakamura Kôichi - Juju
- Ôta Sâko - Marie
- Uchiyama Toyosaburô - Gebara
- Hikonagi Wataru - Sabu
- Kobayashi Chieko - Okei
- Satô Yô - Radon
- Takenaga Keiichi - Semushi
- Don Madrid - Tony
- Komatsu Hôsei - Lover
- Zero Jigen Shôkai
- Akiyama Shôtarô - er selbst
- Shinoda Masahiro - er selbst
- Awazu Kiyoshi - er selbst
- Iwasaki Toyoko - sie selbst
- Eda Kazuo - er selbst
- Ikeda Tatsuo - er selbst
- Fujita Shigeya - er selbst
- Yagi Jirô - er selbst
- Yodogawa Nagaharu - er selbst
Produktion Matsumoto Productions, Art Theatre Guild of Japan
