Returning to several of the great filmmaker’s lifelong concerns (language, music, art and, of course, cinema), Jean-Luc Godard’s SCÉNARIOS is sufused with a fixation on images of death. The film was completed the week of his passing, and it feels appropriate that a filmmaker so endlessly curious about life would be similarly fascinated by whatever follows it. Having famously declared that a film must have a beginning, middle and end, if not necessarily in that order, one imagines he may have felt similarly about life itself, or at least his own.(Jesse Cumming)
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