Almost 14,000 visitors found their way to the Viennale Zentrale, to dance to the music of DJs such as Lars Eidinger or Rosa Pistola, to listen to the exciting speeches and talks of filmmakers like Lisandro Alonso, Catherine Breillat, Jennifer Reeder, Claire Simon, Martha Mechow or Radu Jude and to have a drink at the Viennale Campari Lounge and listen to selected filmmakers and interesting personalities playing their favorite music.
Located between Gartenbaukino and Urania, we invited you to our social programme with discussions and talks with film guests or just to chat in the upper floor of the Viennale Club in Falkestraße. At night, the basement became a party zone with DJs and live acts.
Director Joanna Hogg inspired audiences with insights into her working methods during a discussion evening organized with the drehbuchFORUM Wien, as did French director Alain Guiraudie,, who spoke to interested festival-goers about filmmaking and writing. Another highlight: Lav Diaz held a master class for the Austrian Directors’ Guild.
Presenting itself in a new and different way every year is the “matrix” that results from the entire annual program and the interplay of the selected films, and their associative dialogue with each other. A network of themes and thoughts that open up reciprocally with a social discourse.
Taking up these thoughts, making this network visible to viewers and inviting them to participate was something the Viennale tried to do again this year. At a panel discussion on the subject of “masculinity,” director Ruth Beckermann, filmmaker Albert Serra and moderator Andrea Braidt sought to explore changing and shifting implications in the cinematic context. In another panel on the topic of “narrative and manipulation,” also enthusiastically received, directors Radu Jude, Roee Rosen and Eric Baudelaire discussed pitfalls and ethical issues with Lisa Nesselson and the audience.
After last year's complete abandonment of a festival headquarters, this year's festival once again provided a meeting point for cinema lovers away from the cinemas - albeit on a somewhat smaller scale: the Viennale Bar, ideally located between Gartenbaukino and Urania, invited to conversations and DJ lines in bar and club under strictly controlled 2G rules. Acting star Lars Eidinger made the crowd dance, the directors of the festivals of Berlin, Locarno, Cannes (Quinzaine des réalisateurs) and San Sebastián paid their respects to the Viennale and discussed the role and future of film festivals.
Many visitors of the Viennale 2019 made their way to the demanding talks and discussions in the Viennale Zentrale in the Kunsthalle Wien in the Museumsquartier – as was the case with the talk featuring Bertrand Bonello, the discussion about threat-ening conflicts and imminent wars, as well as a round table discussion on the topic of film critiquing.
The dancing visitors of the Viennale Zentrale were excited about the various DJ performances: Montoya, Oberst & Buchner, Andaka, Kompleks, Scientist, Kristian Davidek, DJ Moe, Vatileaks, Forever Traxx, Monsterheart DJ-Set, Hausgemacht-Kollektiv, DJ Hertzbube, J´aime Julien, Belly Dance Service, Alaska Al, DJ Nomad, Misonica, Therese Terror, Gassen aus Zucker und Journey to Tarab. Also the various live acts like the Peruvian electro-cumbia duo DENGUE DENGUE DENGUE or the electrifying performance of LULU SCHMIDT were well received. Furthermore, there was a large influx of visitors, especially during the conversation with the film maker Angela Schanelec.
The programme was rounded off by the Viennale Afterparties at the Viennale Zentrale - including the farewell concert of Johann Sebastian Bass with illustrious special guests.
Among the highlights of the Viennale 2018 was the program at the festival center in the Kunsthalle Wien in the Museumsquartier, which proved to be extremely varied and exciting with its mix of interesting film talks and book presentations, parties and DJ lines as well as exquisite concerts. With the Viennale Aperitivi, festival director Eva Sangiorgi brought Italian flair to the Viennale and invited on selected days to an aperitivo in the festival centre, where cinema fans, filmmakers* and industry guests could get into conversation.
The list of DJs was once again exciting in 2018: Mina, Erica Fatna, DJ Badre, Hanna, Andrés, Flo Real, Adam Brandis, Schmieds Puls DJ-Set, DJ Hertzbube, J'aime Julien, Lil Promise, Sofie, Therese Terror, Ulrich Rois, Radio Martiko, Gümix and Shanti Roots, Dj Makosa & Sugar B, DJ Scheibosan and Graf Hadik. Furthermore, Viennale filmmakers* were invited to perform their musical inspirations and favourite songs on one evening on the turntables.
More highlights were the Master Class by Mariano Llinás (LA FLOR), the conversation between Jean-François Stévenin and Yann Dedet, and the well-attended book presentation on "Angeschlossen und gleichgeschaltet: Kino in Österreich 1938-1945".
After five years in the "Old Post", which was no more available due to construction works, the Viennale festival center moved into the KUNSTHALLE WIEN at the Museumsquartier. This great location hosted the festival guests and has been a perfect place for parties, concerts and interesting discussions.
«Palm Spring's Finest» DJ Day opened this year's Viennale party. It was followed by evenings with live concerts by Amp Fiddler, Mirac, Photay aka Evan Shornstein and drummer Daniel Schreiber. The list of DJs: Drehli Robnik, Booty Carrell, DJ Coolman, DJ Zuzee and Mrs. Zee.
The other highlights included discussions with Tindersticks singer Stuart A. Staples, actress and human rights activist Vanessa Redgrave, directors Marie Dumoras, Rahul Jain and John Carroll Lynch. As part of the book presentation «Hans Hurch. Vom Widerschein des Kinos» the editors Claus Philipp, Christian Reder and Armin Thurnher read from the book.
Festival center at the former Post headquarter - 5th go!
Discussions and musical acts were also part of the program at Dominkanerbastei 11 this year.
The Cypress Junkies kicked off the party round in the festival center. Great live concerts followed: Carsten «Erobique» Meyer, Singer-Songwriterin Anna B Savage , Terrel Wallace aka Tall Black Guy, Burriers und Roosevelt. Following the premiere of the film AUF EDITHS SPUREN, the pianist and producer Rupert Huber presented the highlights of the soundtracks he composed live in the festival center. Universal Beatnik and Alaska Al from the Accordia Schallplatten Club brought along treasures from their comprehensive record collection.
DJs in 2016 served the dance floor with finest beats: DJs Liza Levitas (SISTERS), Noisolepsy (ASSQUAKE) und J’aime Julien (MALEFIZ), THAT GOOD VIBE COLLECTIVE, Doug Shipton (FINDERS KEEPERS), SupAfly Collective (RADIO BUZZ),
DJ Safi made the festival center shake for the closing party with his Oriental tunes and live tables.
4th go: Festival center again at the former Post headquarter in 2015
Discussions and musical acts were also part of the program at Dominkanerbastei 11 this year.
The festival was opened by Andy Fletcher from Depeche Mode. Davi DB showed his musical talent. Hans Hurch aka DJ Ohanne was one of the many local acts. DJ exel. Pauls, DJ Phekt, DJ Smoab & Shantisan.warmed people up for dancing. There was a great concert from Squalloscope. Some acts like Jerusalem in my heart blurred the line between music and performance.
With Listen to Eric an evening to remember with Eric Pleskow took place. A conversation on the film HOTLINE with Silvina Landsmann was also included in the event program.
3rd go: Festival center again at the former Post headquarter in 2014
Discussions and musical acts were also part of the program at Dominkanerbastei 11 this year.
The festival was opened by the London based MYSTERY JETS, ETEPETETE deejayed. With WOODS OF BIRNAM AMOUR FOU lead Christian Friedel spotlighted his musical talent. KONEA RA was one of the many local acts. Among the DJs Sebastian Schlachter, FM4 DJs MAKOSSA and MEGABLAST, DJ CUTEX, Jonathan Toubin (NEW YORK NIGHT TRAIN) and VIHANNA were also features of the program. Electronic beats by Anna Leiser of BEBOP RODEO and B. FLEISCHMANN warmed people up for dancing. HODA MOHAJERANI, G.RIZO and MALIA stroke up songs from rumi to soul music. Some acts like KLUB MUTTI À GOGO e. g. blurred the line between music and performance.
With WHY FAROCKI MATTERS an evening to remember the film maker and media theorist Harun Farocki who passed away unexpectedly in August 2014 took place. A conversation on the special REVOLUTIONS IN 16MM under the title BE SAND, NOT OIL, an introduction into the work of Gerhard Heinz, who composed more than 130 sountracks to cinema productions as well as a discussion between Abel Ferrara (PASOLINI) and Alex Ross Perry (LISTEN UP PHILIP) were also included in the event program.
Festival center at the former Post headquarter - 2nd go!
Discussions and musical acts were also part of the program at Dominkanerbastei 11 this year. The festival was opened by DJ Andy Smith (former Portishead live DJ), subsequent festival nights were celebrated with Blur drummer DAVE ROWNTREE, Austrian HipHop Genius SKERO, Glen Matlock, the former Sex Pistols bassist, Markus Binder (ATTWENGER) and the heads of the French music blog project LA BLOGOTHÈQUE...so the time went by under the influence of prominence.
One of the highlights in the former Post headquarter was AN EVENING TO REMEMBER: A PROGRAM DEDICATED TO LOU REED. The legend, who died October 27 this year, was V'10 special guest and presented the film RED SHIRLEY then. On October 31 the Viennale organized an evening with lectures, films and music to remember the great artist.
Some of the acts had an intermedial impact on senses and mind: Thanks to a mixture of of 16mm film projections, visuals and Arabic sounds, the audience felt JERUSALEM IN MY HEART. The performance collective H.A.P.P.Y. presented the 20th anniversary celebration book.
Two evenings were dedicated to filmmakers @ turntables – we would especially point out to Gonzalo García Pelayo's.
Interviews on FORMS OF DOCUMENTARY, the JERRY LEWIS RETROSPECTIVE and WILL FERRELL, as well as the correlation between cinema and life offered additional information to the q & a sessions at cinema.
In its anniversary year, there was a new Festivalzentrum of a special character in a very odd place - in a uniquely spacious building, built around 1880 under Emperor Franz Joseph, and then for a long time the headquarters of the Austrian Post (Dominikanerbastei 11). The Festivalzentrum was a meeting place, a lounge and a place for discussions and talks, the room for parties, DJ sets and rest between the films for food and drink during the day and late into the night.
Viennale Festival Center on the Badeschiff
Viennale Festival Center on the Badeschiff
EMPIRES OF TIN
For the presentation of the «EMPIRES OF TIN»-DVD Vic Chesnutt gave one of his rare concerts together with Guy Picciotto (Fugazi) and T. Griffin.
Also the already well established djing program «Film makers at the turntables» filled the dancefloor for several times.
Besides the two main frame events – the opening party at the city hall and the closing party (for the first time at Volksgarten) with over 1000 invited guests each, the popular Lusthausfest took place in the Viennese Prater as every year.
The gala screening in honour of Jane Fonda in the presence of the actress was another cinematic and social highlight of the V’07.
The motto of the jungle was amplified by the Austrian art collective Lichttapete ("wallpaper of light") with their impressing light set-ups: a thrilling jungle expedition from the screen into the urban space. During the festival, a selection of buildings in the inner city of Vienna were covered with wildly light sprawling projections and - as part of the jungle special - shined for one night in a new light.
Besides the film-related events, the VIENNALE-Zentrale was hosting a number of special events: Not only did the film guests at the turntables, such as William E. Jones, Thorsten Trimpop or Bill Daniel, contribute to the musical background, but also bands like “Die Türen”, “Cobra Killer” or the presentation of the new FM4 compilation Sunny Side Up.
Not to forget the numerous discussions, lectures and performances, like “Biographical Constructions in Cinema”, the two discussion rounds “On Warhol”, the exotic performance “Tang Tang”, or Rainald Goetz’s action essay “Democracy, Democracy”.
The Charim Gallery hosted a comprehensive retrospective of photographer and Andy Warhol companion Gerard Malanga.
Jane Birkin, the star guest of the VIENNALE 2005 held a concert at the Volkstheater presenting her new album "Arabesque".
The evening with Cameron Jamie & the Melvins was an Austrian premiere: The legendary rock band The Melvins accompanied live three films by fine-artist Cameron Jamie at the Gartenbaukino.
For the first time 2004, the VIENNALE added a series of events to its program. Entitled Working Class, this series consists of three to four film lectures held by internationally known personalities of cinema. The distinctive feature of these lectures is that they represent both theoretical and practical aspects of filmmaking in their works and are thus neither obliged to convey a pure theoretical-academic view nor a pure practical one. These lectures are offered to a public audience willing to reflect on the vivid visual and intellectual experiences of cinema.
The first lecturer of Working Class was the French-American filmmaker and theorist Jean-Pierre Gorin, to whom we also dedicated a special program at this year’s festival. Gorin held a series of lectures, which he has conceived, along with the legendary American film critic and painter Manny Farber, since the 1980s.
As part of the Danièle Huillet/Jean-Marie Straub retrospective (which included selected films by John Ford) there was a round table discussion with prominent participants and moderated by Hans Hurch:
Jean-Marie-Straub, Danièle Huillet, Harmut Bitomsky, Tag Gallagher, Jean-Pierre Gorin
Opening-act of the Viennale Zentrale was the legendary underground-entertainer Gonzales - with a fantastic instrumental piano show.
Some highlights of the countless events that took place during the Festival:
Well known Austrian Hermes Phettberg read on 25th of october from different Charles Bukowski books.
One of the most interesting discussions in the VIENNALE Zentrale was about film production in Argentina, Africa, China.
Argentina, Africa, China: a look behind the scenes of creative production models, difficult circumstances, and "taking the bull by the horns". Participants: Eduardo Antin (president of the "Festival de Cine Independiente", Buenos Aires), Jean-Marie Téno (director and executive producer of Les Films Du Rapha, Paris/Camerun) and Bérénice Reynaud (California Institute of Arts - School of Film/Video).
Another fascinating discussion in the Viennale-Tent featured soul singer Sam Moore (of Sam & Dave), his wife Joyce, who has worked in the music business for the past 40 years, and Viennese music journalist Thomas Mießgang. The occasion was a Viennale screening of the documentary Only the Strong Survive, a portrait of a number of legendary soul musicians which D.A. Pennebaker and Chris Hegedus made last year
