Sekretar’ raykoma

V'19

Sekretar’ raykoma

The District Secretary

Ivan Pyryev
UdSSR, 1942
91min, russOmeU

Bild: Gosfilmofond Bild: Gosfilmofond

Sekretar’ raykoma

Ivan Pyryev
UdSSR, 1942
, 91min, russOmeU

Mit: 
Vasiliy Vanin
Mikhail Astangov
Marina Ladinina
Michail Zharov
Mikhail Kuznetsov
Drehbuch: 
Yosif Prut
Kamera: 
Valentin Pavlov
Boris Aretskiy
Musik: 
Boris Volskiy

Produktion: 
COKS, Alma-Ata
Format: 
35 mm
Schwarz/Weiß
Print courtesy of Gosfilmofond

Inszeniert vom mehrfachen Stalin-Preisträger und „Volkskünstler der UdSSR“, Ivan Pyryev, sollte SEKRETAR' RAYKOMA zeigen, wie sich eine lokale Partisanentruppe abmüht, die Aufgabe der Roten Armee zu übernehmen, wenn diese gezwungen ist, sich für kurze Zeit neu zu formieren. Tatsächlich kann den titelgebenden Sekretär, Stepan Gavrilovich Kochet, in dieser Situation nichts davon abhalten, eine solche Einheit aufzustellen und den Guerillakrieg gegen die Nazis zu beginnen. Obwohl Pyryev sich bis dahin „nur“ mit Komödien einen Namen gemacht hatte, lieferte er ein beispiellos wütendes, filmisches Feuerwerk.

 

Another rarity, the very first partisan film produced during wartime to enrage and inspire, SEKRETAR’ RAYKOMA was directed by another Stalin Award-winning artist, Ivan Pyryev, a man often labeled as the high priest of orthodox Stalinist cinema. But unlike Mark Donskoy, who reportedly thrived under Stalin by playing a village idiot, Pyryev meant business, and never pulled any punches when glamorizing the glories of Soviet life or demonizing anything that might threaten it. SEKRETAR’ RAYKOMA was commissioned to demonstrate how the local partisan rebellion must step up when the official Red Army pauses to reorganize. And nothing can indeed stop Stepan Gavrilovich Kochet, the eponymous secretary, in assembling a partisan unit and starting his own private guerilla war with the Nazis. Although Pyryev delivered unprecedented fire and fury, he was, interestingly enough, only the second choice to helm the film, having mostly been known for musical comedies and dramas previously. The original director Efim Dzigan was removed from the set under accusations of nepotism after the supervising committee complained about the poor performance by actress Raisa Esipova, who happened to be Dzigan’s wife.