BLACK AND WHITE TRYPPS NUMBER ONE

Tying into and playing against the rich history of hand-painted films, the first Trypp starts off with lulling rhythms of interstellar undulations. But instead of referencing the romantic traditions of most cameraless films, as the impasto grows denser this Trypp turns into a fugue state inducing flurry of op art kineticism. The screen becomes a snowglobe of activity to scramble your eye's rods into cones. (Chris Stults)

This film is part of the short film program Trypps #1 – #6.