La Telenovela errante

In 1990, Ruiz returns to his homeland for a visit after the end of the Pinochet regime. A first (richly bitter) stock-taking of this travel experience is presented in the episodes of this pastiche, created during a workshop, which takes up the telenovela cosmos in a multi-perspective, biting, playful and highly enjoyable way. The work, which Ruiz did not complete in his lifetime, was brought into a final version five years after his death by a team led by his widow, editor and director Valeria Sarmiento. It's witty and fun, even if a non-Chilean audience is likely to miss many allusions, unfortunately. (Silvia Hallensleben)

On the 24th of October in the presence of Valeria Sarmiento.

All retrospective films that will be shown at the Filmmuseum after the Viennale - from 1.11. - can of course also be reserved as usual at filmmuseum.at or by calling 01/533 70 54 and purchased at the box office of the Austrian Film Museum. The prices of the Austrian Film Museum apply.

Raúl Ruiz: TRES TRISTES TIGRES (1968), EL REALISMO SOCIALISTA (1973), DIALOGUES OF EXILES (1975), BÉRÉNICE (1983), POINT DE FUITE (1984), MÉMOIRE DES APPARENCES (1986), L’OEIL QUI MENT (1992), FADO MAJEUR ET MINEUR (1994), TROIS VIES ET UNE SEULE MORT (1996), GÉNÉALOGIES D’UN CRIME (1997), COMÉDIE DE L’INNOCENCE (2000), KLIMT (2006), MISTÉRIOS DE LISBOA (2010)