Image of movie Rengoku eroica
Image of movie Rengoku eroica
Image of movie Rengoku eroica
Retrospective

Rengoku eroica

Heroic Purgatory
Yoshida Kijū
Japan 1970
118 min
V'22

Shōda Rikiya works as an engineer for Japan’s Atomic Agency. One day, his wife Nanako returns home with a mysterious teenage girl called Ayu, who claims to be Rikiya’s daughter. A man pretending to be the girl’s father arrives to get her back, but he turns out to be a comrade from the revolutionary movement that Rikiya had joined when he was in college. As his everyday life is turned upside down, Rikiya is confronted with his past as a radical revolutionary.
This second film of Yoshida’s trilogy about historical events in 20th-century Japan was, like the other films of the trilogy, made in collaboration with the Art Theater Guild of Japan on a very low budget. Yoshida’s arguably most difficult and enigmatic film is a mesmerizing exploration of political discourses in postwar Japan.
Lacking a clear-cut sequential storyline, the film intersperses various images of sex, politics and revolution and pushes the dazzling cinematic language of Yoshida’s previous film EROS + MASSACRE even further, characterized by a labyrinthine narrative structure, radically decentered compositions and fascinatingly mannered photography. With this esoteric avant-garde film, brimming with Yoshida’s originality, the director also reached his outer limits. (Roland Domenig)

All retrospective films that will be shown at the Filmmuseum after the Viennale - from 2.11. - can of course also be reserved as usual at filmmuseum.at or by calling 01/533 70 54 and purchased at the box office of the Austrian Film Museum. The prices of the Austrian Film Museum apply.

Yoshida Kijū: OOD-FOR-NOTHING (1960), BLOOD IS DRY A.K.A BLOODY THIRST (1960), BITTER END OF A SWEET NIGHT (1961), AKITSU SPRING (1962), 18 WHO CAUSE A STORM A.K.A. 18 ROUGHS (1963), A STORY WRITTEN WITH WATER (1965), WOMAN OF THE LAKE (1966), IMPASSE (1967), THE AFFAIR (1967), AFFAIR IN THE SNOW (1968), FAREWELL TO THE SUMMER LIGHT (1968), EROS + MASSACRE (1969), HEROIC PURGATORY (1970), COUP D’ETAT (1973), A PROMISE (1986), WUTHERING HEIGHTS (1988), WOMEN IN THE MIRROR (2002), BEM-VINDO A SÃO PAULO (2004, Episode)

Credits
  • National Film Archive of Japan
  • Okada Mariko
  • Kamoda Kaizo
  • Tsutsui Kazumi
  • Kimura Naho
  • Yamada Masahiro
  • Hasegawa Motokichi
  • Yasuoka Hiroyuki
  • Mori Hanae
Gendai Eigasha
35 mm
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