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The heiress Livia, as clairvoyant as she is insane, teams up with a psychopathic killer in this Crime Grotesque with political undertones. He, who has spontaneously fallen for her and is therefore willing to help, eliminates her depraved relatives, who had in fact set him on Livia for the sake of money. In the background, military convoys move along country roads, the police find convincing reasons for their inactivity over beer and billiards, and from off-screen we can hear talk on the radio about power struggles of capital. The setting for this wickedly amusing farce is a gray Switzerland in the "near future", which we would rather not experience in real life...
(Barbara Kronsfoth)

All retrospective films that will be shown at the Filmmuseum after the Viennale - from 1.11. - can of course also be reserved as usual at filmmuseum.at or by calling 01/533 70 54 and purchased at the box office of the Austrian Film Museum. The prices of the Austrian Film Museum apply.

Raúl Ruiz: TRES TRISTES TIGRES (1968), EL REALISMO SOCIALISTA (1973), DIALOGUES OF EXILES (1975), BÉRÉNICE (1983), POINT DE FUITE (1984), MÉMOIRE DES APPARENCES (1986), L’OEIL QUI MENT (1992), FADO MAJEUR ET MINEUR (1994), TROIS VIES ET UNE SEULE MORT (1996), GÉNÉALOGIES D’UN CRIME (1997), COMÉDIE DE L’INNOCENCE (2000), KLIMT (2006), MISTÉRIOS DE LISBOA (2010)