Circus World

V'18

Circus World

Henry Hathaway
USA, 1964
135min, OF

Bild: Filmarchiv Austria Bild: Filmarchiv Austria

Circus World

Henry Hathaway
USA, 1964
, 135min, OF

Mit: 
John Wayne
Matt Masters
Claudia Cardinale
Toni Alfredo
Rita Hayworth
Lili Alfredo
Lloyd Nolan
Cap Carson
Drehbuch: 
Ben Hecht
Julian Halevy
James Edward Grant
Kamera: 
Jack Hildyard
Schnitt: 
Dorothy Spencer
Musik: 
Dimitri Tiomkin

Produktion: 
Samuel Bronston Productions
Format: 
70 mm
Farbe

Nicht nur das 70mm-Format, auch die magische Welt des Zirkus scheint in ihrer klassischen Ausführung dem allmählichen Verschwinden anheim gegeben: Menschen, Tiere, Sensationen, ein Orchester, das die Takte immer ein bisschen zu sehr verschleppt und selbstredend Clowns und der unheimliche Pierrot mit seinen roten Ohren. Mittendrin in diesem Getümmel ein hantiger John Wayne als Chef des Ganzen und eine sprühende Claudia Cardinale als sein Mündel Toni; sowie Rita Hayworth als vergessener Star – auf dem Weg zum Comeback. All larger than life indeed! Draußen brüllt ein Löwe und lässt die Gitterstäbe erzittern: Sind es seine oder unsere? (Katja Wiederspahn)

 

You don’t expect to find John Wayne in a circus. You don’t expect to see Wayne in Europe either. These are among the reasons that Henry Hathaway’s CIRCUS WORLD is such an unusual film. Its budget was relatively modest by Bronston standards – a paltry 9 million dollars. Not that director Hathaway is skimping. He still has armies of extras, plenty of horses too and even one or two elephants. The film also features a massive fire (a scene that reportedly went wrong and almost killed Wayne.) John Wayne plays Matt Masters, a circus owner/stage cowboy who takes his troupe to Europe in the early years of the 20th Century. He is heading across the Atlantic for both business and romantic reasons – to prop up a flagging business and to track down Lili Alfredo, the love of his life and mother of the beautiful young trapeze artist, Toni. Wayne’s role is intriguing and selfreflexive – he’s a showman who plays at being a cowboy for the circus audience. The screenplay was co-written by legendary ex- journalist, Ben Hecht (other credits: THE FRONT PAGE, SCARFACE, NOTORIOUS.) The combination of Claudia Cardinale, Rita Hayworth and Wayne in the same movie is an added incentive for checking out a film that will look more sumptuous projected in 70mm than it ever did on its TV reruns. (Geofrey Macnab)

Henry Hathaway: SUNSET PASS (1933), SOULS AT SEA (1937), SUNDOWN (1941), CHINA GIRL (1942), KISS OF DEATH (1947), THE DESERT FOX: THE STORY OF ROMMEL (1951), FOURTEEN HOURS (1951), RAWHIDE (1951), NIAGARA (1953), GARDEN OF EVIL (1954), FROM HELL TO TEXAS (1958), WOMAN OBSESSED (1959), NORTH TO ALASKA (1960), THE SONS OF KATIE ELDER (1965), NEVADA SMITH (1966), 5 CARD STUD (1968), TRUE GRIT (1969), SHOOT OUT (1971), HANGUP (1974)