Balada o trobenti in oblaku

V'19

Balada o trobenti in oblaku

The Ballad of the Trumpet and the Cloud

France Štiglic
YU, 1961
80min, slOmeU

Bild: Slovenska kinoteka Bild: Slovenska kinoteka

Balada o trobenti in oblaku

France Štiglic
YU, 1961
, 80min, slOmeU

Do
31
Okt 19
11:30
Filmmuseum
Sa
23
Nov 19
18:30
Filmmuseum
Mit: 
Lojze Potokar
Angelca Hlebce
Marija Lojk
Branko Miklavc
Rudi Kosmač
Lojze Rozman
Polde Bibič
Drehbuch: 
Ciril Kosmač
Kamera: 
Rudi Vaupotič
Schnitt: 
Milka Badjura
Musik: 
Alojz Srebotnjak

Produktion: 
Triglav Film, Ljubljana
Format: 
35 mm
Schwarz/Weiß
Print courtesy of Slovenska kinoteka. In collaboration with the Slovenian Film Centre at the occasion of the centenary of France Štiglic.

Vielleicht Štiglics ungewöhnlichste und radikalste Auseinandersetzung mit der Ethik, respektive der Notwendigkeit, sich dem Widerstand anzuschließen. An Heiligabend 1943 trifft ein Todeskommando auf der Suche nach verwundeten Partisanen, die sich angeblich in den schneebedeckten Bergen verstecken, auf einem abgelegenen Hof ein. Als die NS-Kollaborateure abmarschieren, nimmt der alte Bauer eine Axt und folgt den Verrätern, um zu verhindern, dass diese die hilflosen Partisanen finden. Eine minimalistische Prämisse in düsterpoetischem, expressionistischem Stil, voller grimmiger Realität und noch grimmigeren Halluzinationen.

 

Often labeled as the Rossellini of Yugoslavian/Slovenian cinema, the prolific France Štiglic (1919–1993) devoted most of his forty-year-long career to depicting the struggles of Yugoslavian partisans and civilians under Nazi occupation. While always imbued with a deep sense of humanism and an overwhelming sense of responsibility in the face of history, his WW2 output ranges in style and genre, running the gamut from sweeping historical epics to intimate psychological dramas, even comedies. BALADA O TROBENTI IN OBLAKU is perhaps his most unusual and radical take on the partisan narrative and the ethics (i.e., necessity) of joining the resistance. The film is set on Christmas Eve in 1943. A death squad of Home Guards visits a remote mountain farm in search of the group of wounded partisans that are allegedly hiding somewhere high up in the snow-covered mountains. After the Nazi collaborators depart, the old farmer picks up an axe and follows the traitors, intent on stopping them before they find the helpless partisans. This minimalistic premise is explored in a darkly poetic, expressionist style that blends grim reality with even grimmer hallucinations, moving relentlessly onwards in the heavy rhythm of a death-march until its inevitable conclusion, which is, almost miraculously, both bleak and hopeful at the same time.