1 homme de trop

V'19

1 homme de trop

Shock Troops

Costa-Gavras
F/I, 1967
110min, fOmeU

Bild: Sammlung Österreichisches Filmmuseum Bild: Sammlung Österreichisches Filmmuseum

1 homme de trop

Costa-Gavras
F/I, 1967
, 110min, fOmeU

Fr
25
Okt 19
19:00
Filmmuseum
Mit: 
Charles Vanel
Bruno Cremer
Jean-Claude Brialy
Michel Piccoli
Gérard Blain
Claude Brasseur
Jacques Perrin
Med Hondo
Drehbuch: 
Costa-Gavras
Daniel Boulanger
Jean-Pierre Chabrol
basierend auf dem gleichnamigen Roman von Chabrol
Kamera: 
Jean Tournier
Schnitt: 
Christian Gaudin
Musik: 
Michel Magne

Produktion: 
Les Productions Artistes Associés
Format: 
35 mm
Farbe
Print courtesy of Cinémathèque Française

Am Thema seines Partisanenthrillers 1 HOMME DE TROP hatte Costa-Gavras auch großes persönliches Interesse, war doch sein Vater im griechischen Widerstand aktiv. Zudem trug die kommunistische Vergangenheit der Familie dazu bei, dass der junge Konstantinos nach Frankreich emigrierte. Basierend auf dem Roman von Jean-Pierre Chabrol – selbst ein erfahrener kommunistischer Widerstandskämpfer – erzählt der Film die Geschichte einer bunt zusammengewürfelten Partisanen einheit, die versucht, unter den Be satzungs - truppen Chaos zu stiften – und dabei so lange wie möglich einfach nur am Leben zu bleiben.

 

Before cementing his status as a global synonym for mainstream leftwing political filmmaking in the late 20th century, Costa-Gavras graced France, his second homeland, with the fearsome partisan thriller 1 HOMME DE TROP. Costa-Gavras had a personal stake in choosing the subject matter. His father was a member of the Greek resistance during World War II, and the family’s communist past played a role in young Konstantinos’ relocation to France. Based on the novel by Jean-Pierre Chabrol – he too a veteran communist resistance fighter and member of the FTP (Francs-Tireurs et Partisans) – 1 HOMME DE TROP tells a tale of a ragtag group of countryside fighters who alternately sow chaos amongst the occupying forces and simply try to survive. The explosive and almost non-stop action is underpinned by a complex, ever-developing moral dilemma. One member of the group, “one man too many”, played with quiet gusto by Michel Piccoli, who the group happens to liberate from prison early on in the film, might not be who he claims he is. Suspicions quickly escalate into accusations, and accusations become repercussions, although the fury of the battlefield will quickly disperse all doubts. At the time of 1 HOMME DE TROP’s US release, the New York Times called the last shot “curiously antiseptic”, but Costa-Gavras was simply ahead of his time, crafting a visually and morally breathless conclusion that has to be seen to be believed.