Known for his bold, deliberately provocative films, which oscillate between radical realism and metaphysical depth, Bruno Dumont has left his mark on European cinema. Not “un-Austrian” themes such as violence, faith and human abysses are bundled together in his work. Has his uncompromising approach changed from LA VIE DE JÉSUS (1997) to L’EMPIRE (2024)? As part of the Viennale, he offers the opportunity for a personal discussion of his work. 
Moderation: Karin Schiefer

In cooperation with